Thursday, 16 May 2013

WHAT CAN YOUR MC SEE?


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C.S.E. COONEY - her advice comes in many directions.
Prepare to remove your
head so you can see all the elements. 

DONALD MAASS WRITE TIP #91

What does your MC see, know or get about people that few others do? Create three demonstrations of that.

“I do see you, Verda."
"You don’t see me, though."
Tanner stared at her, confused. "I'm not sure what I supposed to say to that."
"I wish you could see me," she said. Her voice was hollow, her mouth turned down and aching, her eyes half-closed and veiled to block out the light. "I want you to see me. I tried to force your sight when the sun was eclipsed. Sometimes it’s like you can – could – I catch you staring and your eyes have that glazed look. It almost makes me believe you do see me."
His back had become rigid with the force of his will. "And what do you think I should see? You’re a girl. I’m sure I know how you-all are put together."
"Is this all you see?" Verda shook her head and sent her long plait dancing.
She released her breath with an explosive sigh. "Why am I bothering?”
"No! Yes. Let me try to understand," Tanner said quickly, unaware that he was shaking his head, no longer even trying to meet Verda’s eyes. "If I did see you, what would I see then? Because, if you’re telling me you’re a reworking of the old species I’ve looked enough for me to tell you I’m sure I would have noticed."
"Maybe… not.”
“I think, Yes.”
“But, your eyes can only see a fraction of the light in the world," she whispered. Her hands were clenched so tightly she could feel individual nails piercing her palms. "And, your brain can only process information from the visible light rays.”
"My brain–?"
“Sees the vibrations red through to violet.”
His heart was racing, even though his thoughts were thick like sludge. “Did I complain that you never tell me anything? The pressure - I feel like the pressure in my head is expanding ‘til it’ll explode – I almost want it to – but if it did then I wouldn’t know what you mean."
Verda’s found it hard to speak; she opened her mouth only to close it again. She wanted to run through her calculations and this time recomputed until the data indicate that telling Tanner the truth wasn’t worth the risk. "This is difficult for me," she confessed.
“Not so me,” gasped Tanner. “It’s a skip in the park over here.”
Her hands trembled. The fact that every part of her body was flooded with positive and negative reactions amazed her. It made her careless. “I am more than–“
“Don’t! I don’t care. I am looking at you. Even if I can’t see the all you’re worried about, I love you. Loving you makes me more than I could ever have been…if I hadn’t seen you that morning in the woods. So, we’re even. I want to belong to you. Completely. If you – seeing everything, and more, like you always do – if you want me too.”

CAN YOUR MC SEE MORE THAN EVERYONE ELSE AROUND HER?

Wednesday, 15 May 2013

IN YOUR WIP, WHAT IS WORSE THAN DEATH?


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Jeremy Zerfoss

DONALD MAASS WRITE TIP #90

What does it mean in this story to die? What’s worse than actual death? Have your MC suffer that.

“There’s things that are worse than death. Broken Unloveables who never had a hope of a happy-here; Fading Greys who’ve near-crumbled anyways: those are the states of being that are worse than dead. Who’d want to live the scavenge way when sustenance and warmth come hard? Dead worse is those who’ve made their choice and are a-wanting to be dead but know that soft-death costs. Not finding a way to pass without accompanying pain is only the thought misery, or hunger, forces on Edgefolk. Who-ever would carry this pain into the Nextus?”

IN YOUR WIP, WHAT IS WORSE THAN DEATH?

Tuesday, 14 May 2013

Are you sending your protagonist somewhere especially frightening?

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Gene Wolfe...with the hardest advice for thedébut novelist to follow.



DONALD MAASS WRITE TIP #89

What’s the place your protagonist must enter at the end? Earlier, make it a place of fear.

“Just dive down, and find the scroll. Once you have it safely in your pouch, you can swim out as fast as your strong arms and legs can pull you," Garra's voice was hard. "A straightforward task. It’s not as if you’ve never swum through the Clar’s watery clasp before."
Versa refused to meet her mother's determined gaze. "I caught my cloak," she said. "No matter how I pulled, it would not tear."
"You were snared in the stony embrace?" The hands that reached for her curled into fists, as Garra moved towards her daughter. "Yet you are here? He let you go."
"He bides, Mother. I left my dignity, with my clothes, in that embrace."
"I recall. But, that was before – before you rescued Heille? You re-entered Clar’s Cavern for her, but you won't retrieve the scroll that proves our entitlement to our ancient lands?"
Versa stared at Garra without expression. "They say, if the Clar claims you for his own, he’s a jealous lover," she said. "I freed myself once. And sneaked round, and away, behind his back the next. If I go to him again, he’ll hold me firm. This time, I fear he’ll make me his.”

Where are you sending your protagonist so they can be really afraid?

Monday, 13 May 2013

#88 Did you put your MC on a tall enough pedestal?

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Patrick Rothfuss has minimal, but essential, advice ;)
DONALD MAASS WRITE TIP #88

When your MC makes a mistake, who’s let down? Earlier, build up that character’s high regard of your MC

“I don’t want to say I’m disappointed like I feel all-Love’ya. Don’t that slide out easy when there isn’t any rough feelings to slow down the pace?
I thought you were the one thing in the world I could rely on.
The thing about disappointment is it seems it comes with the idea that I just lost something that never existed.”

Did you put your MC on a pedestal so, when he made a mistake, he had a long way to fall?

Sunday, 12 May 2013

WEEKEND WRITING WARRIORS HALE IS DRAWN TO DARRAH


If you are interested in follow this link: WWR


As I'm only a weekend writer of Romance, Darrah is still having trouble with Sark Hale Tarla. In a time long past in our history, a Sarkisian ship is stranded on Earth. Assimilation is at an early stage but it has not proven to be an easy option for either people. Now, Hale has been assigned to Darrah and her arm of men. His role is to smooth over any diplomatic - or worse - problems that might arise in the Outlands, where the Sarkisians were allowed to settle, when they are sent to find the missing human heir to the Thorn Throne, Erishdren. Rogue Sarkisians are thought to have been behind the abduction.


He absorbed enough warmth directly from the weak sun when he turned his face higher and tried to ignore the corona of energy radiating from her.
 With the edge removed from his craven need, he opened himself to fissioning edge of the complex energy source he recognised too well. It already echoed at his core. He drew to mind the cries of the young warrior who’d been separated from the body of her comrades. Recalled the weakness that had drawn him a forest clearing long ago. Darrah’s slow fading. The Fates were cruel weavers if they had–again–tangled his life with the girl he had rescued only so he would be the one who snared her, and drained all the bright from her soul.


DONALD MAASS WRITE TIP #87


In any MC scene, ask: What does your MC not want to admit, acknowledge or face right now? Force it on him. Let it hurt.

Hale saved her life once. Now he is sure he is fated to end it. He is drawn to Darrah but he doesn't believe she will survive his attentions. 
HOW IS YOUR MC SUFFERING?

Saturday, 11 May 2013

EXPRESS THE STRONGEST EMOTIONS PHYSICALLY

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JODY LYNN NYE


DONALD MASS WRITE TIP #85

What’s your MC’s strongest emotion in your story? Imagine your MC is mute. How does she physically express what’s inside?

Holly draped a leg over the arm of the chair. The white stars that decorated her red boot-shaped slippers practically blurred as her foot moved.
"You’re wondering how I persuaded Mr Merton to give Mum the evening off,” said Sebastian. "I just told him Mum had a bad case of strep."
Holly’s tongue dropped several degrees when the cold air circulated and her mouth refused to close.
"He didn’t fire her!" Sebastian said, "He signed her off for a few days. Unless the medical tests he ordered come back with something properly infectious," he added thoughtfully. "Then, maybe he’ll have to hire himself a new housekeeper. Mum might consider the break as a kick in the career."
Holly raised an eyebrow high enough to trouble her perfect fringe.
"You think Mum’s going to wonder who made the Boss think she’s plagued or something?” When Holly nodded slowly, Sebastian shrugged and rolled out his lower lip. “You were the one who said he'd never realise he loves her until they spend some time apart.”

DO YOU THINK ACTIONS SPEAK LOUDER THAN WORDS?

Friday, 10 May 2013

Who does your MC need to forgive? Enact it with a symbol.

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KAREN LORD

DONALD MAASS WRITE TIP #84

Who does your MC most need for forgive? Following a catharsis, make forgiveness possible then enact it with a symbol.

The sensations that had paralysed her body when he turned away came back. Hope was every bit as breathless, speechless and sickening. Jackson was leaning so close she could feel the heat radiating from him. She closed her eyes, blocking out the day, and life that teamed in the streets, and she ignored everything but how being this close made her feel. Aware of how much worse she would feel when he wasn’t there  sheltering her   Ella kept rigid hold over her body as she willed him to take the final step.  If he touched her it would mean he could forgive her for being stupid and selfish and thoughtless – for not letting others matter. She could only hope. He'd always been so much better at caring – compassion and need.
The fresh sharp scent of him filled her. It made it easier for her to open up and take the risk. “I care,” Ella whispered.
“Right,” said Jackson.
“No, I—”
“Don’t!” said Jackson. “Don’t say Sorry.”
“No?” Ella’s voice sank. “But, I hurt you.”
Jackson ran a finger down the back of her hand. “Ella—”
The finger was joined by another, and another, lines of warmth and friction that pressed until she opened her hand to him.  “You forgive me?” she asked.
 Jackson held her hand. He made them one. He wasn’t smiling. “No.”
 “You don’t Forgive?” asked Ella. Her eyes wide and aching like her heart.
 Jackson shook his head. He pulled her hand up to his chest. “I love you.”
“You do.”

DOES YOUR MC HAVE TROUBLE WITH FORGIVENESS?